the VESTIGES Project: THINK TANK 2006-2012, New Orleans, LA Resident Artists at the Contemporary Arts Center, 2006-2009 The interdisciplinary collective The VESTIGES Project has made New Orleans its business for the past 20+ years. Over the years, participants have moved to various parts of the world and people from other parts of the world have joined in VESTIGES projects. The Katrina natural and unnatural disasters offer new challenges to its repertoire of multidisciplinary, collaborative works. Anticipating its 25-year anniversary in 2009 and responding to the cataclysmic events of Katrina and its accompanying flood, it seems appropriate to convene a group of these creative people for a continuing interaction. With the participation of live audiences, The VESTIGES Project will explore the flood that turned New Orleans into a true vestige. A "living theater" program will provide a New Orleans-rooted yet global reach to interpret this Place steeped with culture and history and ripe at this moment, with the future at the forefront. Members of the United States Congress were invited to New Orleans after Katrina so they could understand and spread the word of the extent of the city's destruction and the dispersement of its residents. VESTIGES and the Contemporary Arts Center, noting the flight of many New Orleans artists, is calling on the "Cultural Congress" of the United States to also come and to tell through their art that the music, visual arts, drama, dance and literature of New Orleans need rejuvenation, just as does the economic, governmental and physical elements of the city. VESTIGES: THINK TANK is an UMBRELLA project - a conceptual BUCKET within which to brainSTORM ways to explore New Orleans' future and to present multidisciplinary actions and installations in dialogue with the viewing audiences. It is produced by The VESTIGES Project while in residence at the Contemporary Arts Center in New Orleans from 2006 through 2009. VESTIGES Cultural Congress includes: Richard Schechner, Andrei Codrescu, Yusef Komunyakaa, Gillian Conoley, Jacques and Monica Arpin, Maggie Hadleigh-West, Julie Hebert, Annette DiMeo Carlozzi, Lori A. Kent, Kristen Struebing-Beazley.
VESTIGES: THINK TANKS
April 29, 2006, at NOCCA/Riverfront
August 29, 2006 thru August 29, 2007
"Waterfall"
September 6, 2006, in the Contemporary Arts Center's Freeport McMoran Theatre
October 10, 2006, in the Contemporary Arts Center's Freeport McMoran Theatre
March 2007
Spring 2007
Beginning in 2009, Home, New Orleans? participants took a breath to reflect on the work thus far and produced a booklet that is a selective retrospective about Home, New Orleans?, including the principles embodied by the projects, some challenges encountered in the work, and some lessons learned from the partners' experiences. This document is intended to serve as a resource for artists, educators, and community leaders seeking a model for employing art as a strategy to build community; and/or for those networking community-based organizations across oft-aligned divides of geography, race, age, and/or class. (http://www.npnweb.org/partners/profiles/intermediary-partnerships/home-new-orleans)
June 2007
February 16 - May 25, 2008
Curated by Annette DiMeo Carlozzi, Curator of American & Contemporary Art and Director of Curatorial Affairs, The Blanton Museum of Art, the University of Texas at Austin.
August 29, 2008 thru October, 2008
November 1, 2008 - February 28, 2009, at Newcomb College Center for Research on
Women
Participants: Jackie Brenner, Charlie Bishop, Peggy Bishop, Angela Driscoll, Jan Gilbert, Danella Primeaux Hero, Debra Howell, Sharon Jacques, Jennifer Odem, Kristen Struebing-Beazley, Susan Tucker, Michel Varisco, Michele White.
Additionally, pieces and parts of collective projects including works of writers Carolyn Maisel, Andrei Codrescu, Yusef Komunyakaa, painter Margaret Witherspoon, and many more, come together to form Residue: the Archive. Read more about the installations.
Curator: Jan Gilbert; Assistant Curator: Melissa Stein.
March 12-28, 2009 at Convergence Center for the Arts, 6100 Canal Blvd in Lakeview
The award-winning Turning of the Bones will be performed at 8PM each Thursday, Friday and Saturday evenings, and each performance will be followed by a community discussion. Ashley Sparks directs the play, and the cast includes Lisa Shattuck, Don Lewis, Michael Zarou, Angela Papale, Jen Pagan, Maritza Mercado-Narcisse, Claudia Baumgarten and Aja Becker. The production staff includes Pamela Roberts, Jeff Becker, Selena Poznack, Diane Baas, Ellen Macomber and musicians Mark Darnell and Aurora Nealand. Admission is $15 for the general public, and $10 for students, seniors, artists and CAC members.
A co-founder of DramaRama Inc., Villarrubia is an award-winning, published poet and playwright. Her new poetry collection Return to Bayou Lacombe has just been released by Cinnamon Press in Wales. She has been invited to read this spring at London's Troubadour and the Millennium Centre in Cardiff, Wales.
Turning of the Bones is a joint project of the National Performance Network and HOME, New Orleans? with funding provided by The Ford Foundation, and is presented by ArtSpot Productions, The VESTIGES Project and the Contemporary Arts Center and is supported by grants from the Princess Grace Foundation and the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation and Tourism, in cooperation with the Louisiana State Arts Council as administered by the Arts Council of New Orleans and is supported in part by a Community Arts Grant made possible by the City of New Orleans as administered by the Arts Council of New Orleans. This project is made possible by the support of the Sojourn Lakeview Church community. For more information, please visit ArtSpot Productions
April 17-July 12, 2009
Previously on Piety derives its name from 617 Piety Street, the Bywater address where the original exhibition took place. A raw warehouse space temporarily converted into a makeshift exhibition site, 617 Piety's impressive length and ceiling height made it possible for the artists involved to develop highly ambitious works that, while not site-specific, would have been extremely difficult to realize in a more conventional gallery setting.
August 1-December 31, 2009
The installation is the fourth and final in a series claiming these large shadow-boxed spaces as VESTIGES: THINK TANKS, part of a post-Katrina umbrella project presenting multidisciplinary actions and installations in dialogue with a viewing audience.
October 2009-April 2010
Jan Gilbert, artist/co-founder of The VESTIGES Project and project director of VESTIGES of New Orleans notes: "In the past the group has investigated sites that are unknown, overlooked or historically camouflaged, in order to question traditional and commonly accepted ideas of the spectacular. The Opal Gallery summer exhibition VESTIGES: LAND MARKS and artists' panel/exchange at Eyedrum provided opportunities to connect this group to the Atlanta arts community. Longtime senior art editor of ARTPAPERS, Jerry Cullum joined the effort. He steered us to secure this historically-charged venue for VESTIGES to produce experimental, interactive, site specific, public art installations at the Buckhead Library."
This modernist architectural gem designed by Scogin, Elam and Bray recently was threatened by a developer's plan for the wrecking ball and saved by public outcry. The work created in this exhibition is different from a traditional gallery showing as the artists respond conceptually to the site in varied ways but from the unique perspective of a New Orleans vantage point-a culture where ritual and relic are deeply ingrained and hallowed.
Participating Artists: Jackie Brenner, Angela Driscoll, Courtney Egan, Ellen E. Ellis, Jan Gilbert, Debra Howell, Kristen Struebing-Beazley, Michel Varisco
September 1-October 7, 2011, at the Rebecca Bryan Gallery at Coastal Carolina University in Conway, South Carolina; February 25-April 7, 2012, Contemporary Arts Center, New Orleans, as part of "NOLA NOW Part II"; October 18, 2012-January 25, 2017, installed at US/IS, 441 Gravier St, New Orleans; June 1, 2017-October 1, 2018, installed in Pieterburen and Kloosterburen, NL
VESTIGES/trinitas is about coming to terms with what's been lost, on both a personal and regional scale, possibly forever. The double whammy of Katrina and the BP spill made it impossible to ignore the fact that New Orleans and South Louisiana would never be the way they were pre-Katrina, and the people who live here would never have the same lives they once had.
VESTIGES/trinitas is both a repository and an investigation: of our collective memory and identity; of the influence of our culture on our memories; of the relationship between our memories and our history. We'd like this work to act as a container within which we attach our photos, our memorabilia, our hodgepodge of disparate items we want to mark, to remember, to keep close.
VESTIGES/trinitas is a large format wall installation (approximately 9 feet x 18 feet) comprised of a multitude of reclosable (ziplock) clear plastic bags, containing images, objects and texts submitted by invited artists and writers. The bags are attached to the wall in three sections with a fish scale format, enabling the pieces to be seen both individually and as an integrated part of a larger "image". As visual reference for the installation, VESTIGES/trinitas uses the sky/earth/water trinity of our vanishing wetlands as a metaphor for what's been lost on an individual human scale as well.
Artists were invited to submit (recycle) what they miss, has been lost, or has been damaged, (physical, emotional, representational, in words, objects, images), to be "preserved" into these sealed 9"x6" ziplock bags. Contents could include pieces of damaged or lost art, books, or other items, and would be hung contiguously if necessary. We asked that whenever possible, their contributions would include clinical documentation: sealed into the bag along with each contribution should be identifying info such as time, place, manner of loss, either written/attached on the flip side or visible from the front. We encouraged as many submissions as they would like, and the results far exceeded our expectations.
Participating Artists and Writers: Monica Koechli Arpin - Jacques Arpin - Alex Baker - Dave Baker - Jacqueline Bishop - Barbara Brainard - Pearl Clark - Andrei Codrescu - Dylan Cruz - Luis Cruz-Azaceta - Lee Diegaard - Karen Oser Edmunds - Michael Fedor - Alan Gerson - Jan Gilbert - Brandon Graving - Maggie Hadleigh-West - Shawn Hall - Rachel Harris-Beck - Debra Howell - Elizabeth Howie - Sharon Jacques - Krista Jurisich - Lori A. Kent - Elizabeth Kleinveld - Mari Kornhauser - Crystal Kile - Frahn Koerner - Susan Loeb - Kevin J. McCaffrey - Page Moran - Darlene Olivo - Mary Jane Parker - Mary Perrin - Francine Prevost - Kathy Randels - Rontherin Ratliff - Laura Richens - Ama Rogan - Ben Schenk - Cynthia Scott - Caroline Senter - Mary Sherman - Maxx Sizeler - Jamuna Yvette Sirker - Susan Svendsen - Jan Villarrubia - Michele White - Nancy E. Wyllie - Alexis Wreden
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Think Tank Curator: Jan Gilbert Partners: Contemporary Arts Center, New Orleans Center for Creative Arts, Marriott Residence Inn, East Coast Artists, New York University/Tisch School of the Arts, Xavier and Dillard Universities, Tulane University, Transforma Projects, National Performance Network, Metairie Park Country Day School. Funded By: Transforma/National Performance Network; American Center Foundation; The Andy Warhol Foundation for the Visual Arts; National Endowment for the Arts; The Nathan Cummings Foundation.
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